After securing funding in early 1986, Clive Barker and his producer Christopher Figg assembled a team to design the cenobites. Among the team were Bob Keen and Geoffrey Portass at Image Animation and Jane Wildgoose, a costume designer who was requested to make a series of costumes for 4-5 "super-butchers" while refining the scarification designs with Image Animation. In terms of lighting, Pinhead was designed so that shadows would swirl round his head. By July 1986, the shooting script positively identified the single pinheaded Cenobite from the earlier draft as clearly the leader.

Film

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