Most of the film was shot with a custom cyan filter to replicate orthochromatic film (as stated above) except for the scene where Robert Pattinson's character is finally in the top of the lighthouse, where he seems to be overtaken by the light. This was accomplished by the cinematographer Jarin Blaschke taking off the filter and instead using a light that could switch colors on command. At the beginning of the take, it was set to cyan to replicate the look of the filter, but as Pattinson's character grows more and more insane, Blaschke gradually changed the light to red so it would completely wash out his skin-tones and make the light look more intense on the black-and-white film stock.

Film

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