Similarly, there were moments when the filmmakers felt that some underwater shots were still missing something. Sue Rowe realized the 'secret source' were things she called 'streams', bubbles that matched the tail movement of the Meg, or even crept out of the creature's nose. "It just created this slight sense of movement underwater that we really needed," says Rowe. "I remember sitting in dailies and going, 'Give me more bubbles, give me more, more, more, more bubbles!'"

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