In the first half of the film when Quinlan visits Tanya's, there is a trophied bull's head on the wall with banderillas (the barbed, pointed sticks used by the matador) hanging next to it, pointing toward the bull. On his visit to Tanya's in the second half, Quinlan sees Vargas's reflection next to framed portraits of matadors, equating Vargas with the matadors. Quinlan then stands up with the bull's head behind him, and the angle of the shot makes the banderillas appear to be stuck in the bull's neck.

Film

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