Cinematographer Stéphane Fontaine said of filming this movie: "Pablo and I watched loads of archival footage shot in the 60s. We wanted to match those textures, but at the same time, we did not want the movie to look too gritty or rough. It needed to be very elegant, reflective of Jackie. My long time Colorist Isabelle Julien did a great job matching our shots with the archives we used for the movie. We were lucky to shoot most of the movie in a studio, where the controlled environment helped us achieve such a refined look."

Film

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