Betty Comden and Adolph Green originally conceived this musical as a sequel to Un giorno a New York (1949), having the new film reunite Gene Kelly, Frank Sinatra, and Jules Munshin. It was originally intended as a stage musical but that changed when Kelly insisted on filming it. Studio boss Dory Schary did not want to hire Sinatra because the singer had acquired a reputation for being difficult and nixed Munshin because he was no longer popular with audiences.

Film

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