In order to achieve the film's lurking feel, Steven Soderbergh played with camera techniques. "I used the tracking shots because I knew that I had a very talky film and I didn't want it to be visually static," he told the Chicago Tribune. "Without detracting from the performances, I wanted to keep things moving. I also wanted a very predatory feel, the idea of encircling a character and getting closer. It seemed to fit a sort of languid quality that I wanted to have and that Baton Rouge-my hometown and the location of the movie-seems to have."

Film

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