Long before William Friedkin settled on the now-famous Exorcist soundtrack music, he met with Bernard Herrmann, who was living in London. After viewing a rough cut of the film, the iconic film composer bluntly stated that the entire first scene should be removed. He then insisted on scoring The Exorcist by himself there in England, after which he would just send the audiotapes to Friedkin. Taking his leave, Friedkin shook the mercurial master's hand, saying "Thank you for letting me meet an interesting person."

Film

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