Bringing in key crew members writer-producer-director Marion Pilowsky knew and trusted made for a smooth shoot. She said: "I love a static image where the action happens inside and outside of the frame. The frame is really important to me and I've never been a huge fan of tracking or moving a camera around for the sake of it. I was true to my aesthetic and Steve Arnold, the D.O.P [director of photography], was very supportive of that. I also love the authenticity of working on location. We shot in Adelaide's rose season so that was really lovely. Almost every location had roses in full bloom. Steve had a hard time getting away from them!".

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