Unusually for a work by Bhansali, there are no songs featured in this film. So the background score became of paramount importance to the composer, Monty. To create more of an uplifting aura for the deaf-blind-mute character of Michelle McNally, he used pianos and strings, but kept the voices in the chorus at a low octave. For Debraj Sehai's character, a fighting spirit needed to be vocalized, so Monty used a little-known Middle Eastern instrument called a duduk.

Film

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