The film was shot on Double-X stock black and white, which requires much more light to get exposure, so when they shot at night and indoors they had to use about 15 to 20 times more light on set to actually see something on film. The crew put flickering 500- to 800-watt halogen bulbs in period-correct kerosene lamps that were only a few feet away from the actor's faces, resulting in the set being blindingly bright and the actors barely seeing each other. The lights were so bright that crew members sometimes wore sunglasses even during night shoots.

Film

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