Production designer Robert Pearson had been to Mexico, where the film was shot, and knew they could achieve a variety of looks there. He said: "I have a series of color palette meetings, and all the department heads sit down. We discuss for hours on end in detail, every scene, what color meant to that scene, what the spaces mean. We knew we wanted to keep those pallets very simple, right across the board. It will still feel like a very colorful movie, but if you look at each particular frame, I think it's more about what's not there than what is there, that will give it strength."

Film

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