Director Richard Lester liked to film rehearsals and have a camera running continuously to capture anything unscripted that might happen. He also shot with multiple cameras (sometimes up to five) on one take, rather than in typical single camera style. So instead of using stand-ins for the long shots, and moving in for a close-up of the star, Lester would film the entire scene (from close-up to master shot) at the same time. So, stuntmen were used only when absolutely necessary. In his autobiography "Accidentally on Purpose", Michael York recalls "leaping onto horses whose saddles were deliberately unfastened only to revolve instantly underneath amidst dust and prancing hooves."
Scritto da il 05-03-2025 alle ore 08:02

Immagini

Nessun dato in archivio

Consiglia

Voto

Nessun dato in archivio

Commenti

Nessun dato in archivio

Nessun dato in archivio