Production design was a guiding force in how scenes were filmed and production designer Tony Cronin worked closely with director Marion Pilowsky in creating the look in each frame. There were no studio shoots with the entire film was shot on location which included the house where the story is initially based. "Tony would walk into a location with a forensic eye and would transform it to exactly what I wanted," said Pilowsky. "He understood what I was trying to achieve and delivered beyond my expectations given the location and timing restraints. It was a wonderful collaboration."

Film

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