This was one of the first Australian films to be shot with a widescreen anamorphic lens, although Le macchine che distrussero Parigi (1974) was shot in anamorphic four years earlier. George Miller's desire to shoot in anamorphic made him seek a set of Todd-AO wide angle lenses used by Sam Peckinpah to film Getaway! (1972), which were damaged enough in that shoot to get discarded in Australia. The only one which worked properly was a 35mm lens which was employed in the whole of the film.

Film

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