Robert Eggers' preparation for this film began with the creation of a look book, detailing and distilling the film's aesthetics through works of literature, music, historical documentation, including photographs of New England marine life in the 1890s. Also paintings by Andrew Wyeth, an early 20th century realist who painted the land and people of rural Pennsylvania and Maine, and symbolist painters like Arnold Boecklin, Jean Delville, among others, whose allegorical and mythical subjects inspired some of the fantastical imagery in the film.

Film

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