So extensive is the Foley teamwork (sound design) in this movie, that just about every incidental movement on screen is replaced: the creaks of the Terminator's leather jacket, his buckle clinks and footsteps. The entire sequence where Sarah escapes from her hospital bed using a paper clip to pick the strap buckle and door lock featured no originally recorded sounds, only Foley and music. Most of the sounds coming from weapons in the film were upgraded in post-production to create a sort of 'hyperreality'; handguns would get the sound of higher caliber guns, while shotguns would sound like cannons. The minigun used at the end originally made one loud monotonous sound because the shots are fired in such quick succession; the sound was slowed down considerably in post-production so that separate shots could be heard.

Film

Nessun dato in archivio