In 2003, this movie was the opening night film in the Museum of Modern Art's "The Hidden God: Film and Faith" series. A December 7, 2003, New York Times article called "Groundhog Almighty" discussed both the seeming incongruity of Groundhog Day being curated alongside such "serious" films as Luis Buñuel's Nazarín (1959), Federico Fellini's 8½ (1963), Ingmar Bergman's Luci d'inverno (1963), and Andrei Tarkovsky's Andrej Rublev (1966) and the opinions of different clergy-people and religious adherents (including rabbis, Jesuit priests, Buddhists, practitioners of Falun Dafa, and Wiccans) about how the movie is applicable to or actually about their respective religion.

Film

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