Although the first film was commended for leaving the shark to the imagination until two-thirds of the way through, Jeannot Szwarc felt that they should show it as much as possible because the dramatic "first image of it coming out of the water" in the first film could never be repeated. Szwarc believed that the reduction of the first film's Hitchcockian suspense was inevitable because the audience already knew what the shark looked like.

Film

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