In the early stages of developing what was to become the famous Bullet Time sequence, visual effects supervisor John Gaeta and director of photography Bill Pope constructed many gimbals and dollies in the hope of creating the effect the old-fashioned way. The original dolly they created for the camera would be led around the action at a tremendous speed, but after many failed tests and broken dollies, they opted for computer graphics, which meant writing an entirely new program for the effect. However, the Bullet Time sequence does still use one very old-fashioned technique: still photography.

Film

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