Producer Mickey Liddell said he was skeptical at first of cinematographer Stéphane Fontaine's plan to meld old and new footage. "Stéphane and Pablo proved me wrong", he admitted. "They found a way to do it seamlessly. There is a famous shot from the funeral procession, for instance, that is overlaid with the film, and it is integrated in a way I've never seen. They did it with the White House tour as well, to perfection."

Film

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