Every set in the city was a built set. Nothing was filmed on location. Alex Proyas mentions this was very important, because it gave him free range to play with angles or make walls or ceilings slightly off skew. This was also designed to affect the audience psychologically. The director finds it far more effective when a set is subtle rather than grand sets with thousands of extras. He takes the same stance on computer effects, how effects work better if they're part of a whole, not the entire thing.

Film

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