Director of Photography, Sean Porter, based the lighting on period colors and spectral responses: "Tungsten, fluorescents, sodium halide, neon, and mercury... It was an excuse to put on some really heavy creative constraints that typically might feel forced... If I did a movie that was set now and gave myself that sort of restricted palette, it might come off as stylized and not very natural, but because it was all rooted in the realism of the period, I could use those colors in Green Book and not have it feel affected."

Film

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