When Clive Barker was attached to the project, the film was intended to be a low budget horror film. Barker's vision for the film was violent, with the story revolving around the head of a contemporary art museum who turns out to be a cultist trying to reanimate mummies. George A. Romero was brought in with a vision of a zombie-style horror movie similar to La notte dei morti viventi (1968), but this was considered too scary.

Film

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