The critical acclaim this movie received encouraged Ray to make another sequel, Apur Sansar (1959), which was equally well received, and thus concluded one of the most critically acclaimed movie trilogies of all time, as Roger Ebert later pointed out-"The three films ... swept the top prizes at Cannes, Venice and London, and created a new cinema for India - whose prolific film industry had traditionally stayed within the narrow confines of swashbuckling musical romances. Never before had one man had such a decisive impact on the films of his culture."

Film

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