George Roy Hill tried to find locations in Chicago and Los Angeles that had not been touched by modern civilization to use for some of the scenes. In Los Angeles, locations such as The Green Hotel, the Santa Monica Carousel and The Biltmore Hotel were all used. Chicago's Union Station was also used along with LaSalle Street Station. Producer Tony Bill also contributed to the film's authentic look by helping to round up a number of period automobiles in the Southern California area.

Film

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