Film critic David Kehr's first exposure to John Woo was a screening of A Better Tomorrow (1986) at a film festival, but he recalls how many American critics were introduced via a midnight screening of The Killer (1989) at the Sundance Film Festival in 1992. Audiences there expected to laugh as they were primed for some mild novelty, but while they chuckled through the first half-hour the theater became more focused and attentive as the film went on.

Film

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