Stan Winston invented special foam rubber squibs to imitate gunshot wounds inflicted on the T-1000. Whenever the T-1000 was shot, these squibs were integrated in Robert Patrick's suit, folded shut and held together with specially rigged clamps. Upon cue, these clamps were released by remote, and the squib would instantaneously open up like a flower. Patrick wore several of these squibs in varying sizes, to simulate impact wounds from different caliber firearms. The closing of the impact wounds was later done via computer-generated visual effects created by Industrial Light & Magic. During one night of shooting, the squibs were not available, so co-producer Stephanie Austin created some from scratch with tin foil and a magic marker. Even though the correct squibs were brought in at the last moment, James Cameron appreciated the work, and used several of Austin's squibs during filming.

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