The fast pace of the production shoot allowed cinematographer Anthony Dod Mantle to work intuitively, as different characters encouraged him to move the camera and frame a scene in a certain way. Mantle said: "I move the camera based on an emotional instinct I have as to where we are in the story and what the psychological mood of the scene is," he explains." It's a speedy aesthetic. I wouldn't call it hand-held as such, it's like a mixture of something between Steadicam and handheld. It's a gliding that allows me to be inquisitive."

Film

Nessun dato in archivio