Writer and director Kerry Conran never went to New York City while making this movie, and had never been there. He digitally re-created the entire city by referring to old photographs, some of which are even inserted into the digital environments as backdrops. Originally, the plan was to have every New York City backdrop be a colorized photograph, and that idea remained in effect until mid-production, until it was decided that 3-D renderings of the city would allow the camera more of an opportunity to move around.

Film

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