This is the first film that director Sydney Pollack shot in 2:40.1 aspect ratio since Tootsie in 1982, 22 years earlier. The reason he stopped shooting in the anamorphic format was because he felt his films looked awful when they ran on TV. He later regretted that decision, as the format would've benefited his later films, including Out of Africa, Havana, The Firm, Sabrina and Random Hearts.

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