Quentin Tarantino: [long take] The "Massacre at Two Pines" ends in a single long take. The camera follows The Bride down the aisle away from Bill to the altar, then floats away from the altar, down the aisle, past Bill, and out the door to the awaiting members of the DiVAS. Once the squad enters the chapel, the camera cranes up off the ground where pandemonium inside can be heard until finally fading out.

Film

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