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Approfondimenti

The early scene on a Monte Carlo balcony, of a train passing below the lovers to be, is a foreshadow [...]	D
Much to his surprise, Michael Powell had great difficulty persuading Moira Shearer to be in the film [...]	D
This film is #9 in the "BFI 100", a list of 100 of "the best British films ever" compiled by the Bri [...]	D
The 15-minute (approximately) "Ballet of the Red Shoes" used a corps de ballet of 53 dancers.	D
Lermontov's sumptuous accommodation is the Via Leopolda, just outside of Monte Carlo, on the Cote d' [...]	D
Gene Kelly found this movie to be so great, he said he saw it over and over again. He told "M.G.M." [...]	D
Debut of actress Jane Fischer.	D
Patricia Norman's debut.	D
Brian Easdale's Oscar-winning score was performed for the film by the Royal Philharmonic Orchestra a [...]	D
This was Moira Shearer's first film. At the time, she was beginning to ascend in her career with the [...]	D
Final film of Joan Sheldon.	D
Christopher Challis had just graduated from camera operator to director of photography, having previ [...]	D
Elizabeth West's debut.	D
When Ludovic Kennedy saw Moira Shearer in this film, he said that he knew instantly that she was the [...]	D
This film is part of the Criterion Collection, spine #44.	D
Upon completion of the film, J. Arthur Rank did not immediately release nor distribute it. Instead, [...]	D
Although little is seen of the fictional ballet "Heart of Fire," it has some similarities to the wor [...]	D
The directors decided early on that they had to use dancers who could act rather than actors who cou [...]	D
The Royal Opera House in Covent Garden looks much the same in 2021 as it did in this film. However, [...]	D
The only Best Picture Oscar nominee of the year to be also nominated for Best Story.	D
Allan Gray was dismissed as the film's composer to be replaced by Brian Easdale, who won an Oscar fo [...]	D
Emeric Pressburger originally wrote the script in 1937 when producer Alexander Korda was casting aro [...]	D
This is one of director Martin Scorsese's favorite films and he owns a large collection of memorabil [...]	D
Suzanne Jemmett's debut....	D
Elizabeth Christie's debut.	D
Joy Camden's debut...	D
Jack Cardiff spent 3 months in Hollywood before production of The Red Shoes. He was amazed with the [...]	D
Opening credits: All characters and events in this picture are fictional any similarity to actual pe [...]	D
Julia Lang's debut.	D
Ruth Sendler's debut....	D
Technicolor founders Herbert T. Kalmus and Natalie Kalmus considered this film the best example of T [...]	D
Helen Ffrance's debut....	D
Anna Marinova's debut.....	D
Lynne Dorval's debut....	D
The only Best Picture Oscar nominee that year to be also nominated for Best Art Direction (Color).	D
Denise Merrum's debut.	D
Jane Fischer's debut.	D
Margaret Tate's debut.	D
The story of Boris Lermontov's controlling behaviour with his dancers is patterned on Sergei Diaghel [...]	D
When people complained to Hein Heckroth about the grim ending, he pointed out to them that in Hans C [...]	D
The title ballet sequence took six weeks to shoot and employed over 120 paintings by Hein Heckroth. [...]	D
Film debut of Moira Shearer.	D
Pamela Harrington's debut.	D
Final film of Albert Bassermann.	D
Enid Martin's debut......	D
Jack Cardiff deliberately manipulated camera speed during the Red Shoes ballet to create the effect [...]	D
Art director Hein Heckroth was a painter who had never worked as the art director on a film before. [...]	D
Hilda Gaunt's debut....	D
Student rush, where students are let in on performance night first come, first served, is depicted h [...]	D
Marnia Zarina's debut....	D
Originally, this was designed to be a vehicle for Merle Oberon. However, Michael Powell stipulated t [...]	D
The only Best Picture Oscar nominee that year not to have any acting nominations.	D
Michael Powell and Emeric Pressburger collaborated again 30 years after finishing this film to produ [...]	D
Cinematographer Jack Cardiff wasn't keen on doing a ballet film, so he forced himself to take in as [...]	D
Anne Woolliams's debut.	D
Anne Byatt's debut.....	D
Stewart Granger first suggested that Michael Powell and Emeric Pressburger look at Moira Shearer as [...]	D
The film is included on Roger Ebert's "Great Movies" list.	D
Anton Walbrook's character of Lermontov was generally thought to be based on ballet impresario Serge [...]	D
A restored print has been made by Martin Scorsese's Film Foundation and the UCLA Film & Television A [...]	D
The opening credits list 'The Entire Production Written, Produced and Directed by' 'Michael Powell' [...]	D
The only film of 1948 to be Oscar nominated for Best Picture, but not for Best Director.	D
Marius Goring was in his mid-thirties and slightly too old for the role of Julian.	D
The film went massively over budget and the "Rank Company," which financed it and was to release it, [...]	D
The exterior of the Mercury Theatre, Notting Hill Gate was shown in the rain because Michael Powell [...]	D
Trisha Linova's debut.....	D
There is a frequent complaint that comes up by viewers as to why, in the final sequence, Vicky is we [...]	D
Yvonne Olena's debut.	D
After Moira Shearer came to international attention for her first feature role as Victoria Page in t [...]	D
This film is in the Official Top 250 Narrative Feature Films on Letterboxd.	D
Final film of Greta Grayson.	D
Jackie Smithers's debut....	D
Meta Thomas's debut....	D
Gladys Walton's debut....	D
On her first day of shooting, Moira Shearer got badly sunburned and developed a blister on her back. [...]	D
Paula Dunning's debut.	D
Helene Mladova's debut.	D
Martin Scorsese based the POV whip pans (quick camera pans) in the first fight between Jake LaMotta [...]	D
"Metro-Goldwyn-Mayer" once owned the rights to this movie and even gave Moira Shearer an "M.G.M." co [...]	D
A scene in The Avengers (2012) had Black Widow in the same costume as Victoria Page. The Russian gen [...]	D
Hein Heckroth's involvement as production designer marks the first time that a painter was hired to [...]	D
Final film of Audrey Harman.	D
Included among the "1001 Movies You Must See Before You Die", edited by Steven Schneider.	D
Gladys Forrester's debut.	D
The Mercury Theatre shown in the film was an actual establishment, and the home of Ballet Rambert (w [...]	D
The dance sequence and use of ballet in this film inspired and influenced MGM musicals especially Ge [...]	D
Casting the lead role of Victoria "Vicky" Page was a tough call for Michael Powell and Emeric Pressb [...]	D
The film accurately depicts everyday life in a ballet company. Everyone, from the corps de ballet to [...]	D
Peggy Sager's debut...	D
Final film of Marie Rambert.	D

Connessioni

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Errori

As Julian Craster walks to the theater, he is seen through an archway as a horse-drawn cart passes. [...]	D
As Julian Craster is about to enter the stage of the Royal Opera House for the first time, to the ri [...]	D
During the lengthy ballet sequence, shortly before Vicky confronts the newspaper figure, she floats [...]	D
Near the end, when Vicky is getting ready to go on stage for "The Red Shoes" once again, she's weari [...]	D
Lermontov's invitation to Vicky says his car will pick her up at eight , so she dresses up expecting [...]	D
The length of Julian's cigarette changes dramatically (gets longer and then gets much shorter than h [...]	D
The amount of champagne in Ljubov's big birthday bottle is not consistent between shots.	D
When Vicky begins to dance with the "newspaper" character, only the words "Le Journal" are typed acr [...]	D
Just before Julian Craster begins to play the piano for the first time for Lermontov, the shadow of [...]	D

Frase

Julian Craster: Vicky? Victoria Page: Julian, I l [...]	D
Boris Lermontov: You cannot have it both ways. A d [...]	D
Grischa Ljubov: You can't alter human nature. Bor [...]	D
Boris Lermontov: Don't forget, a great impression [...]	D
Boris Lermontov: How would you define ballet, Lady [...]	D
[first lines] [holding doors closed] Doorman: Th [...]	D
[last lines] Victoria Page: Julian? Julian Crast [...]	D
[Describing the ballet of the Red Shoes] Boris Le [...]	D
Boris Lermontov: Shh... arming!	D
Julian Craster: One day when I'm old, I want some [...]	D
Boris Lermontov: The music is all that matters. No [...]	D
[Before the curtain goes up on the premiere] Livi [...]	D
Boris Lermontov: [to Julian Craster] It is worth r [...]	D
Boris Lermontov: Why do you want to dance? [Vicky [...]	D

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