La notte del licantropo

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Truly awful use of "day for night" shots makes it painfully obvious that the "night" shots were done [...]	D
When the alarm shows that the werewolf has left the estate and is prowling in the woods, Tom has his [...]	D
Dr. Lundgren states all are safe because wolf's bane (acontium) doe not grow in Great Britain. This [...]	D
The helicopter shown flying through most of the picture has registration G-AWFY. A different one tha [...]	D
When the werewolf flees the house, Tom comments that he has one silver bullet left in his gun which [...]	D
When Tom works the bolt on his rifle after firing his last shot at the werewolf, no shell casing is [...]	D
Tom Newcliffe invites several people to his estate because he is convinced one of them is a werewolf [...]	D
Tom fires far more rounds from his Rexim-Favor Mk5 sub-machine gun that can be held in its 20-round [...]	D

Arthur Bennington: I've always loathed parlor game [...]	D
Narrator of the Werewolf Break: This is the Werewo [...]	D
Dr. Christopher Lundgren: Your King is in check A [...]	D
Pavel: She looks like butter wouldn't melt in her [...]	D
Caroline Newcliffe: I'm terribly sorry about Tom [...]	D
Narrator of the Werewolf Break: This film is a det [...]	D
Tom Newcliffe: He's been looking for a werewolf al [...]	D
Jan Jarmokowski: [Holding silver candlestick] Why [...]	D
Jan Jarmokowski: Smile your on Candid Camera!	D
Arthur Bennington: I don't have to take that kind [...]	D
Paul Foote: If this was dinner... I can't wait for [...]	D
Tom Newcliffe: One of our guests is a werewolf, I [...]	D
Pavel: All this expense. Why? Protection? Against [...]	D
Caroline Newcliffe: [Tom forces everyone to put a [...]	D
Arthur Bennington: You know, if I had my way, we'd [...]	D
Paul Foote: It's called Agro Art. You cover a canv [...]	D

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