Gilda

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Approfondimenti

Gilda was an inspiration for the character of Jessica Rabbit.	D
Initially the story had an American setting, but it was quickly realized that the Buenos Aires setti [...]	D
The script was not yet finished when filming began. According to choreographer Jack Cole, "The scrip [...]	D
Geri Horner from The Spice Girls is featured in the music video for their 1997 single "Too Much" in [...]	D
Early in the film, Johnny's explanation of his luck at the tables is probably an allusion to his ski [...]	D
Charles Vidor had previously directed Rita Hayworth in Fascino (1944).	D
Jean Louis's inspiration for Gilda's black dress was John Singer Sargent's controversial 1884 'Portr [...]	D
In Mullholland Drive (David Lynch, 2001), when Laura Elena Harring lost her memory, she said to Naom [...]	D
The film was originally conceived strictly as a drama, with no musical numbers.	D
Pier Paolo Pasolini did see Gilda in 1949 and did write about the movie in his book Amado Mio. The p [...]	D
The King of Queens: Lush Life (2002), uses the slapping scene from the film, but replaces one of the [...]	D
Glenn Ford was hesitant to slap Rita Hayworth in one instance, but she and Charles Vidor both convin [...]	D
Rita Hayworth's introductory scene was shot twice. Whilst the action of her popping her head into th [...]	D
The film sparked riots in Rio de Janiero because of inflated admission prices.	D
In the scene where Gilda is playing the guitar at the bar at 5 am, someone else is actually playing [...]	D
Remarking on her varied success at dating, Rita Hayworth once stated: "They fell in love with Gilda [...]	D
Included among the American Film Institute's 1998 list of the 400 movies nominated for the Top 100 G [...]	D
In the V-E Day scene, the crowd in the Casino is singing the 'Marcha de San Lorenzo' (San Lorenzo's [...]	D
According to an article in the Los Angeles Examiner in 1945, Edmund Goulding was initially attached [...]	D
Glenn Ford hadn't been in a film since Ombre sul mare (1943), having been serving in the Marines.	D
In the years since the film's release, many have noticed the strong indication in the final lines an [...]	D
Initial thought was given to shooting the film in Technicolor, but as too many of the specialized ca [...]	D
Rita Hayworth died from complications of early onset Alzheimer's in May of 1987 at the age of 68. On [...]	D
The original 1946 one-sheet movie poster is highly prized by collectors, fetching $10,000 and up at [...]	D
Gilda (1946) has been restored by UCLA Film and Television Archive in cooperation with Sony Pictures [...]	D
Opening credits: The characters and incidents portrayed and the names used herein are fictitious, an [...]	D
Rita Hayworth wore a corset whilst shooting "Put the Blame on Mame," as she had given birth to her f [...]	D
In the Carnival party masquerade party where Gilda and Johnny are dancing, they are dancing to "Anyw [...]	D
This film is part of the Criterion Collection, spine #795.	D
The two songs Rita Hayworth sings, "Put the Blame on Mame" and "Amado Mio," were written by Doris Fi [...]	D
Included among the "1001 Movies You Must See Before You Die", edited by Steven Schneider.	D
Debut of actresses Argentina Brunetti and Patricia Walthall.	D
Included among the American Film Institute's 2004 list of the top 100 America's Greatest Music in th [...]	D
The film was such an enormous financial success for Columbia Pictures that Rita Hayworth's agent, Jo [...]	D
The movie's poster was ranked as #6 of "The 25 Best Movie Posters Ever" by Premiere.	D
Director Charles Vidor particularly loved demeaning defenseless crew members and supporting actors, [...]	D
Included among the American Film Institute's 2002 list of 400 movies nominated for the top 100 top 1 [...]	D
When Gilda is brought back to Argentina by Tom, she slaps Johnny hard across both sides of his face. [...]	D
"Gilda" was so popular in Spain it became the inspiration in Basque country for a popular Tapas made [...]	D
The name "Johnny" is said 101 times.	D
The photo of Johnny Farrell as a baby is a picture of Glenn Ford's real-life son, Peter Ford.	D
The film was briefly shown in Le ali della libertÃ (1994), which was based on the Stephen King no [...]	D
Selected by the Library of Congress for preservation in the National Film Registry in December 2013.	D
The two-piece costume worn by Rita Hayworth in the "Amado Mio" nightclub sequence was sold for $161, [...]	D
Whilst the film was in release, an atomic bomb tested at Bikini Atoll in the Pacific Ocean's Marshal [...]	D
Harry Cohn was worried about bad publicity affecting Rita Hayworth's box-office pull; her marriage t [...]	D
According to the commentary provided on TCM following the showing of Gilda, Anita Ellis did voice th [...]	D
Michael Jackson was digitally added during Rita Hayworth's performance for his This Is It concert. T [...]	D
There is a rumour that this film is the only time you hear Rita Hayworth's real singing voice, but i [...]	D
Despite being the leading man, Glenn Ford didn't appear on the posters. They focused on Rita Haywort [...]	D
Humphrey Bogart declined the role of Johnny Farrell in what was to become a classic film noir and hu [...]	D

Connessioni

The Sugarcube Critic: Griffon the Brush-Off	D
Sex at 24 Frames Per Second	D
Mike Hammer: A Bullet for Benny	D
Constance	D
Chi ha incastrato Roger Rabbit	D
Band of Brothers - Fratelli al fronte	D
Martin Scorsese and Baz Luhrmann on Gilda	D
Modern Love: Take Me as I Am, Whoever I Am	D
Rewind This!	D
Cannibal Hookers	D
Secret Voices of Hollywood	D
Kuutamolla	D
Cento e una notte	D
Katrakylisma... sto vourko	D
Le Dee dell'amore	D
Silhouettes: The James Bond Titles	D
Lo schermo velato	D
The Oscars Red Carpet Live	D
Chanel No. 5: Sentiment troublant	D
El baile de las Ã¡nimas	D
The Blacklist: Zarak Mosadek (No. 23)	D
Nuovo Cinema Paradiso	D
Madrid	D
Michael Jackson's This Is It	D
100 Greatest Sexy Moments	D
Non ti voltare	D
Notting Hill	D
Carlito's Way	D
Film Noir: Bringing Darkness to Light	D
The Carol Burnett Show: Nanette Fabray and Steve Lawrence	D
Rita Hayworth: The Columbia Lady	D
Joan of Arcadia: Spring Cleaning	D
Martin Scorsese and Baz Luhrmann on Gilda	D
Modern Love: Take Me as I Am, Whoever I Am	D
Disclosure	D
SodankylÃ¤ ikuisesti: Valon draama	D
EspÃ©rame en el cielo	D
Ragazze interrotte	D
Walk Hard - La storia di Dewey Cox	D
iZombie: Even Cowgirls Get the Black and Blues	D
The Rules of Film Noir	D
Vito	D
Creature grandi e piccole: Only One Woof	D
Madness: My Girl 2	D
78/52	D
Innamorati pazzi: Married to the Job	D
WatchMojo: Top 10 Iconic Fashion Moments in Movies and TV	D
The 78th Annual Academy Awards	D
Ida Lupino: Gentlemen & Miss Lupino	D
AFI's 100 Years... 100 Songs: America's Greatest Music in the Movies	D
TCM Guest Programmer: Joan Collins	D
Mrs. Harris	D
Siskel & Ebert & the Movies: Hail, Hail, Black and White	D
Accidenti che ragazza!	D
Senza sorriso	D
TCM Guest Programmer: Debra Winger	D
Free Enterprise	D
1,001 Movies You Must See (Before You Die)	D
Proini peripolos	D
Madregilda	D
Rita Hayworth: The Columbia Lady	D
8 donne e un mistero	D
Raza, el espÃritu de Franco	D
Canciones para despuÃ©s de una guerra	D
Il grande caldo	D
The Goldbergs: Body Swap	D
Devlerin Aski	D
Garage Demi	D
Una storia di Natale 2	D
California Suite	D
Solo quando rido	D
RuPaul's Drag Race: The Main Event Clip Show	D
Grim Fandango	D
Baptiste: Shell	D
100 Greatest Sexy Moments	D
Mina Tannenbaum	D
100 Million BC - La guerra dei dinosauri	D
Roma ore 11	D
Chico & Rita	D
MASH: As You Were	D
Cuore e batticuore: Hartstruck	D
I bastardi	D
Spice Girls: Too Much	D
Stars of the Silver Screen: Rita Hayworth	D
Il club delle prime mogli	D
Histoire(s) du cinÃ©ma: Toutes les histoires	D
Siskel & Ebert & the Movies: The Fabulous Baker Boys/Breaking In/Crimes and Misdemeanors/Look Who's Talking	D
Eroe per caso	D
Sex, Censorship and the Silver Screen: Censored	D
QuiÃ©reme	D
Ta kourelia tragoudane akoma...	D
Freddy's Nightmares: The Bride Wore Red	D
Youth - La giovinezza	D
Biglietto di sola andata	D
Easy Money	D
Bacanal en directo	D
American Dad!: Man in the Moonbounce	D
This Is Your Life: Glenn Ford	D
TCM Guest Programmer: Diahann Carroll	D
Paradis perdu	D
Mulholland Drive	D
Tutti i numeri del sesso	D
The Man Who Envied Women	D
The Lady from Shanghai: Comments by Eddie Muller	D
Becoming Marilyn	D
Mulholland Dr.	D
The Goldbergs: Mister Knifey-Hands	D
Pal Joey	D
Tesis	D
American Experience: Radio Bikini	D
iZombie: Salivation Army	D
100 Years at the Movies	D
Arena: Screen Goddesses	D
Saturday Night at the Movies - Hosted by Graeme Blundell: Gilda	D
Eddie Muller on Gilda	D
Io Gilda	D
Last of the Summer Wine: The Swan Man of Ilkley	D
Heleno: O PrÃncipe Maldito	D
It Always Rains on Sunday	D
Bumblebee	D
Popcorn	D
Discovering Film: Rita Hayworth	D
Partita a quattro	D
Hollywood's Top Ten: Stephen King Movies	D
La leggenda del re pescatore	D
Hollywood Screen Tests: Take 2	D
DrÃ¶mmen om Rita	D
La pupa del gangster	D
Historia de un beso	D
MÃ¡s que amor, frenesÃ	D
Il bacio della donna ragno	D
El crimen del cine Oriente	D
Mouse	D
Ladri di biciclette	D
L'amore non va in vacanza	D
The Bronze Screen: 100 Years of the Latino Image in American Cinema	D
Listen to Me Marlon	D
Il tredicesimo piano	D
MASH: The Colonel's Horse	D
History Boys	D
Have You Seen My Movie?	D
L.A. Noire	D
Eddie Muller on Gilda	D
Le ali della libertÃ	D
Los Angeles: CitÃ© du Film Noir	D
The Carol Burnett Show: Nanette Fabray and Steve Lawrence	D
Tormenti	D
The Carol Burnett Show: Rita Hayworth, Jim Bailey, Glen Campbell	D
Accidentally on Purpose: Pilot	D
La signora amava le rose	D
iZombie	D
Oi palioi mas filoi: Leo Rapitis	D
Amore e altre catastrofi	D
Castle: Slice of Death	D
MsMojo: Top 10 I HATE YOU Scenes in Movies	D
L'uomo delle stelle	D
Indie Sex: Censored	D
Jay Leno's Garage: Essence of Cool	D
Rita	D
Beltenebros	D
La signora di Shanghai	D
The Lady from Shanghai: A Discussion with Peter Bogdanovich	D
Cash Trapped: Episode #2.17	D
Cinemania	D
Zift	D
Franklin & Bash: Big Fish	D
La Gomera - L'isola dei fischi	D
Los aÃ±os bÃ¡rbaros	D
Fade to Black	D
Stars of the Silver Screen: Rita Hayworth	D
The Lady with the Torch	D
You Must Remember This: Star Wars Episode V: Rita Hayworth and Orson Welles	D
Going Attractions: The Definitive Story of the Movie Palace	D

Domande

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Errori

When Gilda plays the guitar, her fingers don't move according to the tune.	D
The New York Blizzard happened in 1888, not 1886 as Gilda sings.	D
The men's room in the casino has no sign on the door or any other marking indicating that it is such [...]	D
The sign says "LIBRETAS DE ENROLAMIETO." The correct spelling is "ENROLAMIENTO."	D
When Johnny is beaten up by Mundson's henchmen, his tie jumps out of his coat. Later, when he is tal [...]	D
Gilda tosses her acoustic guitar at Johnny and hits the glass decorative divider, instantly smashing [...]	D
At the airport scene, one can see hills in the background. In fact, the Buenos Aires area is totally [...]	D
When Johnny is in the casino watching the roulette game, the ball is circling the inside of the whee [...]	D
When Farrell asks to cut the deck at the blackjack table, he is shown shuffling the deck.	D

Frase

Johnny Farrell: From now on, you go anywhere you p [...]	D
Johnny Farrell: [voice over] I hated her so I coul [...]	D
[last lines] Gilda: Johnny, let's go. Let's go ho [...]	D
Uncle Pio: Your shoes. Johnny Farrell: About time [...]	D
Johnny Farrell: I thought we agreed that women and [...]	D
Ballin Mundson: You're a child, Gilda. A beautiful [...]	D
Gilda: They said that being married to Johnny Farr [...]	D
Ballin Mundson: Gilda, are you decent? Gilda: Me? [...]	D
Obregon: A man can only die once.	D
Johnny Farrell: I take care of everything that bel [...]	D
Ballin Mundson: [referring to his knife cane] It i [...]	D
Gilda: So, this is Johnny Farrell. I've heard a lo [...]	D
Gilda: Did you tell him what I'm doing here, Balli [...]	D
Johnny Farrell: Hey, who's she? Uncle Pio: A harp [...]	D
Johnny Farrell: Pardon me, but your husband is sho [...]	D
Gilda: Got a light? Uncle Pio: Yes, Mrs. Mundson. [...]	D
Johnny Farrell: Get out of here. Get back to your [...]	D
Ballin Mundson: Quite a surprise to hear a woman s [...]	D
Johnny Farrell: It looks like one thing; then, rig [...]	D
Gilda: I've got some news for you, Johnny. I'm goi [...]	D
Johnny Farrell: You're a lucky man. Ballin Mundso [...]	D
Gilda: Glad to have met you, Mr. Farrell. Ballin [...]	D
Gilda: I didn't think I'd ever trust a man again, [...]	D
Johnny Farrell: We went swimming. You were asleep. [...]	D
Gilda: This vacuum I'm living in, mind giving me a [...]	D
Obregon: I'm a very sensitive man, for a cop.	D
Johnny Farrell: Statistics show that there are mor [...]	D
Gilda: Would it interest you to know how much I ha [...]	D
Obregon: All you can think of is the way Gilda loo [...]	D
Johnny Farrell: I want to go with you, Gilda. Plea [...]	D
Johnny Farrell: Who are the two krauts? I've seen [...]	D
Ballin Mundson: I feel great, Johnny. Johnny Farr [...]	D
Uncle Pio: [to Gilda] Would you like a drink of am [...]	D
[first lines] Johnny Farrell: To me a dollar was [...]	D
Gilda: Ballin was wrong, wasn't he? Johnny Farrel [...]	D
Gilda: If you're worried about Johnny Farrell, don [...]	D
Ballin Mundson: You're still dressed. Gilda: Yes. [...]	D
Johnny Farrell: You have no idea how faithful and [...]	D
Gilda: I can never get a zipper to close. Maybe th [...]	D
Ballin Mundson: You play for the full stake or you [...]	D
Gilda: It all looks - lonely, doesn't it? Uncle P [...]	D
Johnny Farrell: [voiceover] It was all I could do [...]	D
Ballin Mundson: It amuses me to feed you beautiful [...]	D
Obregon: One isn't always so lucky. Gilda: I am. [...]	D
Maria: Carnival is the last three days preceding t [...]	D
Ballin Mundson: Did you teach Gilda how to swim, J [...]	D
Gilda: Push my hat back, Johnny. Johnny Farrell: [...]	D
Gilda: [to Johnny] You haven't been around lately. [...]	D
Gilda: You're cock-eyed, Johnny! All cock-eyed!	D
Gilda: I always say there's something about Latin [...]	D
Gilda: Nobody could ever dance like you, Johnny. W [...]	D
Gilda: If I'd been a ranch, they would've named me [...]	D
Gilda: [singing] Amado mio, love me forever, And l [...]	D
Obregon: Didn't you ever hear of a thing called ju [...]	D
Johnny Farrell: [narrating off screen] She still d [...]	D
Gilda: Oh dear, that's one of the things you'll ha [...]	D
Johnny Farrell: You can't talk to men down here th [...]	D
Ballin Mundson: I bought her, Johnny. Just as I bo [...]	D
Gilda: You're out of practice aren't you - dancing [...]	D
Gilda: Well, here's the laundry. Waiting to be pic [...]	D
Ballin Mundson: They won't let you use your own di [...]	D
Ballin Mundson: When a man becomes as weak enough [...]	D
Gilda: Boys have the darnedest way of growing up, [...]	D
Gilda: There isn't anybody here but us, you know. [...]	D
Ballin Mundson: This I must be sure of, that there [...]	D
Gilda: I danced in America. Capt. Delgado: This i [...]	D
Obregon: The least you could do is say goodbye and [...]	D
Ballin Mundson: Women are funny little creatures, [...]	D
Johnny Farrell: Doesn't it bother you at all that [...]	D
Ballin Mundson: [to Gilda] I want to have look at [...]	D
Gilda: You do hate me, don't you, Johnny? Johnny [...]	D
Gilda: Oh, Johnny, please let me go! Please let me [...]	D
Johnny Farrell: Look, I've been watching you for w [...]	D
Ballin Mundson: Now then, before we were interrupt [...]	D
Capt. Delgado: You could be a professional dancer. [...]	D
Uncle Pio: [to Gilda] A cigarette, perhaps? Blende [...]	D
Ballin Mundson: Look your best, my beautiful. This [...]	D
Gilda: Got a light? Uncle Pio: Yes, Mrs. Mundson. [...]	D
Ballin Mundson: Johnny takes care of all the thing [...]	D

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Gilda

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