Slavoj Zizek:
And that's the paradox of cinema, the paradox of belief. We don't simply believe or do not believe. We always believe in a kind of conditional mode. I know very well it's a fake but, nonetheless, I let myself be emotionally effected. his strange status of belief accounts for the efficiency of one of the most interesting characters, not only in cinema, but also in theatre, in staging as such, the character of prologue.

Film

Guida perversa al cinema (2006)

Persone

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SerieTv

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