L'angelo azzurro

Lola Lola's erotic costume of stockings, high-heeled shoes, and a top hat was largely inspired by dr [...]	D
Many actresses from the stage and screen were considered for the role of Lola Lola. Early contenders [...]	D
Josef von Sternberg's and Marlene Dietrich's love affair, which began during production of this film [...]	D
The March-April issue of "Film Comment" features the Peter Hogue article "True Blue," which analyzes [...]	D
The first of seven feature-film collaborations between Marlene Dietrich and Josef von Sternberg.	D
This was Emil Jannings' final English-language film (it was released in both German and English vers [...]	D
When the school caretaker finds Rath slumped over his old desk, the soundtrack ironically begins chi [...]	D
According to producer Erich Pommer, Josef von Sternberg wanted Lucie Mannheim as Lola Lola but the p [...]	D
Ilse FÃ¼rstenberg's debut.	D
As a result of the film falling into public domain, a considerable number of prints exist. These var [...]	D
During auditions for the role of Lola Lola, director Josef von Sternberg instructed each aspiring ac [...]	D
KÃ¤the Haack signed on for the role of Lola Lola but was replaced by Marlene Dietrich just before [...]	D
Erich Pommer paid Heinrich Mann $8000 for the screen rights to his novel "Professor Unrat." The scre [...]	D
Marlene Dietrich had a somewhat restricted vocal range, which forced composer Friedrich Hollaender t [...]	D
Emil Jannings' first film back in his native country after an abortive trip to Hollywood. Hoping to [...]	D
There are various accounts of why Marlene Dietrich was cast as Lola Lola, but the one given by direc [...]	D
Although Marlene Dietrich filmed this first and it was released in Europe first, it was not released [...]	D
When the curator of the new Museum of Modern Art in New York City, Iris Barry, traveled to Germany t [...]	D
The first time Professor Rath is approaching in the street to The Blue Angel, a chorus is singing De [...]	D
Emil Jannings promoted Maly Delschaft for the part of "Lola Lola".	D
The title, The Blue Angel, refers to the name of the nightclub where Lola Lola worked.	D
Marlene Dietrich's screen test for this film survives. In it, she pretends to upbraid her pianist, p [...]	D
Included among the "1001 Movies You Must See Before You Die", edited by Steven Schneider.	D
The film is loosely based on Heinrich Mann's novel "Professor Unrath."	D
This English-language version was considered a lost film for many years, until a print was discovere [...]	D
Emil Jannings grew resentful of the special attention director Josef von Sternberg showed to Marlene [...]	D

Lola Lola: [singing] They call me Naughty Lola, I' [...]	D
Lola Lola: What do you want? Prof. Immanuel Rath: [...]	D
Kiepert: I don't get it, an educated man like you. [...]	D
Lola Lola: I knew you'd be back. They all come bac [...]	D
Lola Lola: Well, well, what are you doing in my be [...]	D
[singing] Lola Lola: Falling in love again, never [...]	D
Lola Lola: [singing] Beware of blonde women, they' [...]	D
Kiepert: Get going, wiggle your fannies.	D
Kiepert: You must drink. I'm not paying for your a [...]	D
Schuldirektor: There's a lot I can understand. But [...]	D
Kiepert: What a dame! Professor, you have impeccab [...]	D
[to stuffy Professor Immanuel Rath, who is dressed [...]	D

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L'angelo azzurro

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When the professor tries to cool the curling iron on the calendar, he tears down the date of Novembe [...]	D
When the professor returns to the night club and sees Lola again, he gets covered in her make-up and [...]	D
When the professor returns to his class and the boys burst out in uproar, the drawing on the blackbo [...]	D