Il talento di Mr. Ripley

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Approfondimenti

Fausto and Dickie (and Tom, later) sing "Tu Vuo' Fa' L'Americano," a humorous song about an Italian [...]	D
In 2018, Matt Damon had a brief cameo as a character named only "Redneck #2" in Deadpool 2 (2018). D [...]	D
Jude Law learned to play the saxophone and Matt Damon learned to play the piano for this film. Howev [...]	D
When Anthony Minghella learned that Cate Blanchett was interested in playing the small supporting ro [...]	D
Matt Damon lost 20lbs for the role in consultation with a nutritionist. He had previously lost 40lbs [...]	D
After viewing this film, Tommy Wiseau was so emotionally moved that he vowed to make a film just as, [...]	D
The film cast includes four Oscar winners: Matt Damon, Cate Blanchett, Philip Seymour Hoffman, and G [...]	D
The film was a joint production of Paramount and Miramax. At the time of release, the latter was own [...]	D
Dickie's suicide note is dated 6 January 1959, director Anthony Minghella's fifth birthday.	D
This is the first of Patricia Highsmith's "Ripliad"; a series of novels surrounding her sociopathic [...]	D
Dickie's favorite men's tailor in Rome, Battistoni, is a real tailoring shop founded in 1946. It is [...]	D
Leonardo DiCaprio and Christian Bale were considered for the role of Tom Ripley.	D
The San Remo jazz club is named after the town of Sanremo, Italy. The town is on the Italian Riviera [...]	D
In the novel, reference is made to Dickie being portrayed as a "combination of Paul Gauguin and Erro [...]	D
To prepare for the part of Dickie Greenleaf, Anthony Minghella sent Jude Law to Ischia to get a sunt [...]	D
Included among the American Film Institute's 2001 list of 400 movies nominated for the top 100 Most [...]	D
The small boat on which Marge and Mr. Greenleaf ride after leaving Ripley was named Andrea Doria. Th [...]	D
Tom Ripley presents Marge with a bottle of perfume from Santa Maria Novella, the same perfumer who c [...]	D
Anthony Minghella originally wanted Tom Cruise for the role of Ripley but after seeing Will Hunting [...]	D
John Malkovich remarked in an interview with the BBC that he came close to directing "The Talented M [...]	D
Herbert Greenleaf (James Rebhorn) is chauffeured about in a 1956 Rolls-Royce Silver Wraith with Jame [...]	D
Jude Law fell backwards and broke a rib while filming the murder scene on the boat.	D
Although much of the film is shot upon or next to water, the character of Tom Ripley in the novel (o [...]	D
This is one of two late '90s films--the other being Gattaca - La porta dell'universo (1997) in which [...]	D
Tom kills Freddie with a bust of the Roman emperor Hadrian who had a gay lover who was killed.	D
Tom Cruise and Edward Norton were considered for the role of Tom Ripley.	D
Is based on a novel of the same name by Patricia Highsmith. There are also four novels which follow [...]	D
Philip Seymour Hoffman appeared with James Rebhorn in Scent of a Woman - Profumo di donna (1992), an [...]	D
The opera shown in the film is the end of Act II from Pyotr Ilyich Tchaikovsky's "Yevgeny Onyegin." [...]	D
The movie was the main inspiration for the book Genuine Fraud by E. Lockhart.	D
Matt Damon lost 30 pounds for his role in the movie.	D
Italian censorship visa # 94323 delivered on 10 March 2000.	D
During the shooting, Anthony Minghella said to Cate Blanchett, "Just imagine that everything you're [...]	D
Has been followed by other Ripley novel adaptations Il gioco di Ripley (2002) and Il ritorno di Mr. [...]	D
This is the first of three collaborations between Anthony Minghella and Jude Law. The other two were [...]	D
Similar to the theme of the movie where Ripley imitates Greenleaf, in real life, Jude Law would be n [...]	D
The store Ripley visits to have his wallet embossed with Dickie's initials is the Gucci boutique on [...]	D
Matt Damon actually sang the song "My Funny Valentine."	D
Jude Law initially turned down the role of Dickie Greenleaf.	D
The scenes set in New York City that open the film were originally shot in Rome but were deemed unsa [...]	D
Matt Damon, Jude Law and Gwyneth Paltrow would later appear together again in Contagion (2011).	D
These are the adjectives that appear on the title before "talented" in different colors: THE "myster [...]	D
For any knowledgeable Seinfeld (1989) fan, seeing Philip Baker Hall cast here in the role of a priva [...]	D
Philip Baker Hall and Philip Seymour Hoffman have been one two other films together, Boogie Nights - [...]	D
The text that Dickie writes out for Tom for his handwriting analysis is from Act 1, Scene 4 of Shake [...]	D
This is Matt Damon's favorite film of those he has made.	D

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Errori

Tom supposedly only has the green corduroy jacket in Italy, but we see him wearing a black sport coa [...]	D
The ship Tom takes to England is the Queen Mary, shown passing the Manhattan skyline. But the lifebo [...]	D
In the last scene, Tom is wearing a scarf in one shot and it's completely off in the next after show [...]	D
In the Hot Jazz Vesuvio club when Dickie invites Tom onto the stage, Dickie moves to one side. He th [...]	D
When Tom returns with Marge on his scooter, he drops her off near Dickie's apartment, then enters on [...]	D
When they are all out to sea, Marge comes out of the water and walks to Tom who sits alone on the bo [...]	D
Ripley's microphone at the jazz club (highly uncharacteristic for the 1950s).	D
Tom sets his modern blue-covered U.S. passport on a desk. In the 1950s (when the film is set) Americ [...]	D
When Tom opens Dickie's faked suicide letter, the year is typed as "I959" with an uppercase "I." Man [...]	D
After Tom's first meeting with Marge and Dickie on the beach, Dickie tells Marge he doesn't remember [...]	D
When Ripley and MacCarron are on the balcony in Venice, a 1998 car ferrying motorboat can be seen in [...]	D
When Tom is lugging the "drunk" Freddie Miles to his car after the bludgeoning, he imitates Freddie' [...]	D
When Ripley and Dickie are playing chess, Dickie moves a pawn. A bit later, we see a close-up of the [...]	D
During the opening scene in 1958 New York, the Sony Tower (formerly the AT&T Building), which was bu [...]	D
When Marge attacks Tom on the pier, his arms go up to fend her off, then he finger-combs his hair, b [...]	D
When Marge arrives in Venice at the Santa Lucia railways station, visible in the background on the o [...]	D
During the boat scene between Ripley and Dickie, Dickie is wearing white shoes. However, when the pa [...]	D
When Peter and Tom go to meet Marge (at around 44 mins), on the left of the screen when the glass do [...]	D
The 'glasses' Ripley wears throughout the film often do not have lenses in, revealing them as a prop [...]	D
When Freddie and Dickie are talking on the boat, Freddie has a drink in his left hand, and stirs it [...]	D
When Dicky and Tom are riding down the country road on a scooter, you can see the shadow of the crew [...]	D
At the San Remo jazz fest, there is a seated blonde near Dickie and Tom. From the front, she is bare [...]	D
When Ripley and Peter take the ship to Greece, the sun sets to the port side of the ship, indicating [...]	D
When Meredith sees Tom in a store in front of the Spanish Steps, they take a walk, and come down the [...]	D
When the main characters go to the opera in Rome, the theater is the San Carlo in Naples.	D
Modern construction cranes on the Venice skyline.	D
When Tom makes a martini for Marge and Peter the neck of the vermouth bottle has a plastic flow-cons [...]	D
When Tom and Dickie are in the boat on the sea of San Remo, in the background is visible CasinÃ² d [...]	D
After Silvana (the "other woman") floats ashore and is lying dead in the old woman's lap you see her [...]	D
When Tom and Dickie are in the boat on the sea of San Remo, the Isle of Capri, 800 kilometers distan [...]	D
after Marge climbs onto the boat after supposedly swimming she doesn't look wet and she leaves no we [...]	D
When Tom Ripley is trying to learn to identify jazz musicians from recordings, he's listening to Cha [...]	D
When Tom talks to Marge after he returned home from San Remo, the cover of a Miles Davis LP is visib [...]	D
When Freddie takes the tiller from Dickie, the position of his hand jumps between the front shot and [...]	D

Frase

Tom Ripley: Peter, tell me some good things about [...]	D
Tom Ripley: Well, whatever you do, however terribl [...]	D
Dickie Greenleaf: Do you even like jazz? Or, was t [...]	D
Marge Sherwood: You killed Dickie! I know it was Y [...]	D
Freddie Miles: In fact the only thing which looks [...]	D
Peter: Can you imagine, though, if he did kill Fre [...]	D
[last lines] Peter: Good things about Mr. Ripley? [...]	D
Meredith: Oh, God, I've seen you, again. I've thou [...]	D
Tom Ripley: Nothing is more naked than your handwr [...]	D
Freddie Miles: Tommy. How's the peeping? Tommy, ho [...]	D
Dickie Greenleaf: Now you'll find out why Ms. Sher [...]	D
Tom Ripley: I feel guilty. I feel like I pushed hi [...]	D
Meredith: Dickie? Tom Ripley: Hello Meredith! Me [...]	D
Dickie Greenleaf: I could fuck this ice box, I lov [...]	D
Marge Sherwood: [referring to Tom] I like him. Di [...]	D
[inspector asks a question in Italian] Peter: [tr [...]	D
Tom Ripley: I feel guilty. Marge doesn't understan [...]	D
[first lines] Tom Ripley: If I could just go back [...]	D
Dickie Greenleaf: You can be a leech! You know tha [...]	D
Dickie Greenleaf: You're so white! Have you ever s [...]	D
Peter: Meredith Logue. You were kissing somebody. [...]	D
Marge Sherwood: [to Tom] I thought you were going [...]	D
Tom Ripley: I could probably see my room from here [...]	D
Freddie Miles: Oh God! Don't you want to fuck ever [...]	D
Tom Ripley: [singing - imitating Chet Baker] Don't [...]	D
Tom Ripley: That ring is superb. Marge Sherwood: [...]	D
Tom Ripley: [imitating Dickie's father] "Oh yes, J [...]	D
Peter: Tom is crushing me.	D
Dickie Greenleaf: You've got to get a new jacket. [...]	D
Tom Ripley: And that's the irony, Marge. I loved y [...]	D
Dickie Greenleaf: Everybody should have one talent [...]	D
Alvin MacCarron: In America we are taught to check [...]	D
Dickie Greenleaf: Hey, you like jazz? Tom Ripley: [...]	D
Freddie Miles: In fact the only thing that looks l [...]	D
Dickie Greenleaf: You know, without the glasses yo [...]	D
Peter: Officially, there are no Italian homosexual [...]	D
Meredith: The truth is that if you've had money yo [...]	D
Dickie Greenleaf: Most of the thugs at Princeton h [...]	D
Inspector Roverini: Do you keep a photograph of Si [...]	D
Herbert Greenleaf: What a waste of lives and oppor [...]	D
Marge Sherwood: The thing with Dickie... it's like [...]	D
Marge Sherwood: [to Tom] Whenever I look for Dicki [...]	D
Tom Ripley: I lied. To her. She thought she'd seen [...]	D
Tom Ripley: No matter what you do, no matter how a [...]	D
Dickie Greenleaf: We're all only children. What do [...]	D
Dickie Greenleaf: Did I know you at Princeton, Tom [...]	D
Marge Sherwood: Tom was telling me about his journ [...]	D
Marge Sherwood: Dick? Dickie? I know you can hear [...]	D
Marge Sherwood: I feel as if you haven't been list [...]	D
Tom Ripley: I suggest you ask Dickie that yourself [...]	D
Herbert Greenleaf: You know, people always say tha [...]	D
Tom Ripley: I was just amusing myself. Sorry. Dic [...]	D
Marge Sherwood: [about Tom Ripley] I like him. Di [...]	D
Meredith: Will you meet me tomorrow? Just to say g [...]	D
Dickie Greenleaf: Marge and I are getting married. [...]	D
Tom Ripley: What are you trying to say? Freddie M [...]	D
Meredith: Marge, I don't know you, so I've got no [...]	D
Meredith: I know about you and Marge and Mongi and [...]	D
Freddie Miles: I want this job of yours, Tommy. I [...]	D
Tom Ripley: Do you always type your letters? That [...]	D
Dickie Greenleaf: Marge. Margie. Unbelievable, Tom [...]	D
Peter: Sorry, I'm completely lost. Tom Ripley: I [...]	D
Tom Ripley: You're the brother I never had. I'm th [...]	D
Meredith: I know you're a jazz fiend but do you ab [...]	D
Dickie Greenleaf: How could it take an hour to fin [...]	D
Dickie Greenleaf: You're a dark horse, Ripley.	D
Tom Ripley: That scent you're wearing... I bought [...]	D
Dickie Greenleaf: So, what did you actually do in [...]	D
Tom Ripley: First of all I know there's something. [...]	D
Tom Ripley: Don't you just take the past, and put [...]	D
Tom Ripley: Don't you just take the past and put i [...]	D
Dickie Greenleaf: It's boring. You can be quite [...]	D
Meredith: [sheepish] I'm sorry, I wouldn't have ma [...]	D
Freddie Miles: Where are you going? Dickie Greenl [...]	D
Marge Sherwood: Didn't Dick say?	D
Dickie Greenleaf: "See Venice and die," is what th [...]	D
Tom Ripley: Ask me what I'd change about this mome [...]	D
Tom Ripley: I always thought it would be better to [...]	D
Marge Sherwood: Why do I think there's never been [...]	D
Meredith: Good-bye. I'm happy to put a face to a n [...]	D
Marge Sherwood: Why is it when men play they alway [...]	D

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Il talento di Mr. Ripley

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