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The failure at the box office of this film was not surprising in hindsight as MGM did not release it [...]	D
The last major MGM dance-oriented musical.	D
This film is noted for the dance number Gene Kelly does on roller skates. However, Kelly's Cantando [...]	D
Cyd Charisse's singing was dubbed by Carol Richards, Michael Kidd's by Jud Conlon.	D
Final film of Jeanne Shores.	D
This film was heavily promoted in the first episode of MGM Parade (1955) with a clip and interview f [...]	D
When the guys first arrive back home, their shoulder patches indicate they served in the U.S. 7th Ar [...]	D
The picture was a financial disappointment. Some film historians cite this failure as prime evidence [...]	D
Betty Comden and Adolph Green originally conceived this musical as a sequel to Un giorno a New York [...]	D
MGM forced Gene Kelly to use the wide-screen CinemaScope process, which he felt did not suit dancing [...]	D
Tim (David Burns) continually calls the three army buddies the Rover Boys, an allusion to a series o [...]	D
This film is a nod backwards to the trio of military dancers in the film Un giorno a New York (1949) [...]	D
Dan Dailey was borrowed from 20th Century-Fox for this film.	D
Final film of actress Betty Arlen.	D
In keeping with the allusion to the Rover Boys, something Tim the bartender is wont to call the thre [...]	D
Dolores Gray's overblown musical number Thanks a Lot, But No Thanks! is meant as a satire of the exc [...]	D
Fred Astaire and Ginger Rogers tapped on roller skates in Voglio danzare con te (1937), so there was [...]	D
Stars Gene Kelly and Dan Dailey were actual World War II veterans. Kelly served as an officer in the [...]	D
Gene Kelly bought the roller skates for the "I Like Myself" number down the block from his house at [...]	D
The voice of the woman in the telephone booth who dumps Ted Riley (Gene Kelly) early in the film was [...]	D
From the AndrÃ© Previn, Betty Comden, and Adolph Green score, three numbers have been restored on [...]	D

Il mio Godard	D
Have You Seen My Movie?	D
That's Dancing!	D
LÃ©on	D
Sobbin' Women: The Making of 'Seven Brides for Seven Brothers'	D
MsMojo: Top 10 Best Gene Kelly Dance Scenes	D
La donna del destino	D
American Masters: Gene Kelly: Anatomy of a Dancer	D
American Masters: Gene Kelly: Anatomy of a Dancer	D
1955 Motion Picture Theatre Celebration	D
Inside the Dream Factory	D
That's Entertainment! III	D
Hollywood Hollywood	D
TCM Guest Programmer: Damien Chazelle	D
What's My Line?: Hal March	D
Great Performances: Musicals Great Musicals: The Arthur Freed Unit at MGM	D
Legendy mirovogo kino: Cyd Charisse	D
Hollywood Screen Tests: Take 2	D
Adventures of Superman: The Wedding of Superman	D
Discovering Film: Gene Kelly	D
MGM Parade: Episode #1.2	D

In the opening montage of the three soldiers returning home in 1945 after the war, there is a shot o [...]	D
When Ted runs out of Tim's Bar after reading the "Dear John" letter from his girlfriend, at least on [...]	D
In the 1945-1955 montage, the shot of the 1953 New Years Eve crowds at Times Square shows Inferno ne [...]	D
Early in their reunion, where the guys are sitting together and awkwardly fumbling for something to [...]	D
At the reunion at Tim's bar, after the boys all drink a shot, Angie says, "If Connie could only see [...]	D
During the scene in the taxi just after Ted Riley (Gene Kelly) mentions Kid Mariachi to Jackie Leigh [...]	D
During the "March of Times" type sequence, it has Dwight D. Eisenhower being inaugurated in 1952. In [...]	D
In the passage-of-time montage, a newspaper, supposedly from January 2, 1946, a headline reads "Buck [...]	D
When Jackie comes to Stillman's gym to see Ted, Butch describes her as "about five foot five". Cyd C [...]	D
After Ted gets his "Dear John" letter, he and his buddies leave Tim's bar (where they were the only [...]	D

Doug Hallerton: Somebody stole my moustache. Field [...]	D
Boxers: [singing] One-two-three-four-five-six-seve [...]	D
Ted Riley: Louie, you're a gentleman and a scholar [...]	D
Ted Riley: I'm mixed up with some of the shadiest [...]	D
Jackie Leighton: But, Ted, aren't you in terrible [...]	D
Ted Riley: I don't get you. First, it was strictly [...]	D
Doug Hallerton: There must be some more dignified [...]	D
Boxers: [singing] What a dame! What a dame! She be [...]	D
Jackie Leighton: As Shakespeare says in The Tempes [...]	D
Madeline Bradville: We had something so wonderful, [...]	D
Ted Riley: What kind of a screwball are you? Jack [...]	D
Jackie Leighton: See, you didn't bother me in the [...]	D
Kid Mariacchi: Where do you have to go? Ted Riley [...]	D
Ted Riley: Look lady, if you'll excuse, you don't [...]	D
Jackie Leighton: I wouldn't bet on that. Ted Rile [...]	D
Ted Riley: I think you're about the prettiest prog [...]	D
Ted Riley: Well, well, well, right on the dot. Are [...]	D
Ted Riley: You know something, I used to think I w [...]	D

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