L'infernale Quinlan

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Approfondimenti

The film was a box-office failure in the U.S. in 1958 but was well received in Europe.	D
Included among the American Film Institute's 2001 list of the top 100 (@ #64) Most Heart-Pounding Am [...]	D
Included among the American Film Institute's 2005 list of 250 movies nominated for AFI's 100 Years o [...]	D
Janet Leigh's agent initially rejected her participation in this film due to the low salary offered [...]	D
Orson Welles was heavily padded to play his part. Of course, in later life he physically came to res [...]	D
According to Orson Welles, Universal didn't want the film to be screened at the Brussels World's Fai [...]	D
Regular Orson Welles supporting actor Joseph Cotten made an uncredited cameo in the movie.	D
Orson Welles wrote Marlene Dietrich's part after filming had already begun, calling her the night be [...]	D
Most modern sources credit John L. Russell as the camera operator who assisted director of photograp [...]	D
Orson Welles dubbed Joseph Cotten's line, "Now you can strain him through a sieve."	D
Despite popular speculation, Orson Welles is wearing make-up throughout the film. For hours every ni [...]	D
Was screened at the 1958 Brussels World's Fair, where judges (and then critics) Jean-Luc Godard and [...]	D
Filmed primarily in Venice, California, which at the time had hundreds of producing oil wells as evi [...]	D
The restored DVD was to have included a commentary as well as a documentary on the film and restorat [...]	D
The scene with Vargas and Schwartz in the convertible marks the first time that a scene with dialogu [...]	D
The role of the motel night manager was written specifically for Dennis Weaver, because Welles admir [...]	D
Orson Welles fired the film's first editor, while Universal Pictures head Edward Muhl replaced the s [...]	D
At first all was well on the set. Knowing there were studio spies on the set, Orson Welles planned h [...]	D
Orson Welles rehearsed his cast for a full two weeks before shooting commenced, allowing them to imp [...]	D
Orson Welles shot predominantly at night in order to fend off meddlesome studio suits.	D
Director Orson Welles found a tailor in Mexico City who made suits for the top officials in the Mexi [...]	D
Janet Leigh broke her left arm before filming commenced but appeared nonetheless. The arm was in a c [...]	D
Much of the music used throughout the movie was from sound sources that pertained to the film: radio [...]	D
In the movie Ed Wood (1994), the Orson Welles character complains to the Ed Wood character about adm [...]	D
The entire film was shot on real locations, apart from the ten-minute take in the Mexican shoe store [...]	D
The 1998 restoration only took about two weeks to edit together. The sound mix, however, took over t [...]	D
Curtis Hanson cites this film as a major influence on L.A. Confidential (1997).	D
The film's opening prologue on the DVD states: ''In 1957, Orson Welles completed principal photograp [...]	D
Orson Welles stated that his goal with the film was to infuriate the audience with the plot, in much [...]	D
Orson Welles transformed himself with 60 pounds of body prosthetics and make-up, along with a fake n [...]	D
The first Hollywood motion picture to use a new handheld camera, the Eclair CamÃ©flex.	D
When Orson Welles discovered that his film was recut, he wrote a letter to the production house with [...]	D
Among the significant ways in which Orson Welles departed from the novel and the screenplay were to [...]	D
According to a September 4, 1960, "New York Times" article, Marlene Dietrich considered the role of [...]	D
The post-production phase of the project was complicated. In Charlton Heston's journals, he wrote th [...]	D
The film takes place in a fictional Mexican border town, Los Robles but was filmed in Venice, Califo [...]	D
Orson Welles originally wanted Lloyd Bridges in the role of Menzies. The studio refused, and instead [...]	D
Charlton Heston cited not doing a Hispanic accent for his Mexican narcotics officer Miguel 'Mike' Va [...]	D
At first Orson Welles wanted nothing to do with the picture. He reluctantly agreed after a contract [...]	D
The nighttime filming of the long, single tracking shot opening sequence had many retakes. It took s [...]	D
After filming was completed, Orson Welles left to go to Mexico to continue filming his version of "D [...]	D
Orson Welles was originally hired only to act in the film, but due to a misunderstanding, Charlton H [...]	D
Dennis Weaver shot his part on a three-day hiatus from his TV series Gunsmoke (1955).	D
Zsa Zsa Gabor was producer Albert Zugsmith's girlfriend at the time.	D
Orson Welles initially despised the title "Touch of Evil", having had nothing to do with its concept [...]	D
Although the 111-minute restored version of the movie that was released in 1998 received many accola [...]	D
Orson Welles said that this was the most fun he'd ever had filming a picture, unlike most of his Hol [...]	D
Orson Welles was said to have based the drug scenes on his own experiences, with the Grandi kids' us [...]	D
Orson Welles was paid a total of $125,000 to direct, rewrite, and star in the film.	D
The famous arched intersection of Windward and Pacific, the heart of Venice, CA, still exists largel [...]	D
Oscar winner Mercedes McCambridge only appears in the film because she was having lunch with Orson W [...]	D
Marlene Dietrich and Zsa Zsa Gabor share a title card ("Guest Starring Marlene Dietrich, Zsa Zsa Gab [...]	D
Janet Leigh shares only one scene in the entire film with Orson Welles, and, ironically, she spends [...]	D
Despite Orson Welles's protesting that Universal barred him from editing the film, Charlton Heston s [...]	D
Maurice Seiderman, who was Orson Welles' makeup man on Quarto potere (1941), is often credited with [...]	D
The 1975 alternate version added more than 15 minutes of footage and removed most (if not all) of th [...]	D
Orson Welles refused to recognize the Universal recut of his film, calling it "an odious thing".	D
Director Orson Welles wanted to film in Tijuana, Mexico, but government officials refused him permis [...]	D
The opening scene took an entire night to get right, mainly because the actor playing the customs of [...]	D
Rupert Everett wrote in The New York Times 5/8/2016: "Orson Welles once told me about the day he cal [...]	D
There has been much debate over the aspect ratio of the 1998 re-release. Apparently, Orson Welles wa [...]	D
The first scene filmed was the interrogation of Sanchez, under the watchful eye of Universal executi [...]	D
Included among the "1001 Movies You Must See Before You Die", edited by Steven Schneider.	D
The film cast includes three Oscar winners: Orson Welles, Charlton Heston and Mercedes McCambridge; [...]	D
Included among the Golden Film Reels in Rockstar Games' L.A. Noire (2011).	D
The original soundtrack is available on Varese Sarabande Records.	D
While scouting the location, Orson Welles fell into a canal and suffered painful injuries that requi [...]	D
Interviews with Orson Welles in his later years noted that the footage cut out of his original versi [...]	D
One of the original titles for the film was "Borderline".	D
After finishing a first edit, Orson Welles went to Mexico to start another project. He returned to t [...]	D
Janet Leigh recalled how Orson Welles asked for input from the actors in the cast: "It started with [...]	D
When Orson Welles first met with Dennis Weaver, he asked Weaver what he thought was the most importa [...]	D
Dennis Weaver's performance as the neurotic hotel clerk in Touch of Evil inspired director Steven Sp [...]	D
Orson Welles claimed to have only read "Badge of Evil" by Whit Masterson, the novel on which the fil [...]	D
While at Universal working on this film, Orson Welles picked up some extra work by doing the narrati [...]	D
Some writers claim that Orson Welles became friends with Albert Zugsmith during production of La tra [...]	D
The 1998 restoration was supposed to premiere at the 1998 Cannes Film Festival. However, the day bef [...]	D
Captain Quinlan is not seen without his hat during the entire film, although at one point his hat is [...]	D
Orson Welles would often rewrite his script during his lunch breaks, meaning it was pointless for th [...]	D
The film is included on Roger Ebert's "Great Movies" list.	D
Orson Welles claimed to have seen this film only once, at the one screening that the studio provided [...]	D
Included among the American Film Institute's 1998 list of the 400 movies nominated for the Top 100 G [...]	D
Maurice Seiderman did Orson Welles's makeup.	D
Orson Welles wanted the credits to appear at the end of the film so as not to distract the audience [...]	D
Akim Tamiroff was required to stick the butt of a lamb's tongue into his mouth for his grotesque dea [...]	D
It is very obvious throughout the film that Charlton Heston isn't a native Spanish speaker. Sometime [...]	D
Janet Leigh claimed to be absolutely terrified when she shot the scene where she is menaced in her m [...]	D
The car used at the beginning of the film is a 1956 Chrysler New Yorker convertible. Only 921 were m [...]	D
Executives from Universal Pictures only found out that Marlene Dietrich was playing Tanya when they [...]	D
Premiered as the second half of a double bill (Hence, its 'B' movie status.) after main feature L'an [...]	D
Preserved in the National Film Registry by the Library of Congress in 1993.	D
Joanna Moore was required to dye her hair brown so as to differentiate her from Janet Leigh.	D
Orson Welles wanted to shoot the film in Tijuana, Mexico, but the studio refused his request.	D
Orson Welles encouraged Dennis Weaver to improvise his role as the strange hotel manager, and togeth [...]	D
Marie McDonald was considered to perform a guest star stint.	D
The opening scene is one of the earliest tracking shots and the longest at the time of three and a h [...]	D
In the first half of the film when Quinlan visits Tanya's, there is a trophied bull's head on the wa [...]	D
Vargas' car is a 1956 De Soto Fireflite convertible. Only around 400 were made. In excellent conditi [...]	D
Four actors from Orson Welles's Quarto potere (1941) ensemble appear in the film: Joseph Cotten, Gus [...]	D
First film directed by Orson Welles in the United States in nearly ten years since Macbeth (1948), a [...]	D

Connessioni

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'Duel': A Conversation with Director Steven Spielberg	D
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Nash Bridges: Swingers	D
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Adam	D
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Arena: The Orson Welles Story - Part 1	D
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A.P. Bio: We Don't Party	D
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Domande

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Errori

Quinlan says early in the movie that strangling is the best way to kill someone because "you don't l [...]	D
When Pete Menzies beckons Hank Quinlan to come out of Tanya's place, Quinlan's tie is outside of his [...]	D
As the night-man leads Vargas to cabin seven, Vargas jumps from his right side to his left at a cut.	D
The explosion at the beginning shows the car squashing down on all four wheels; following scenes sho [...]	D
Crew and equipment reflected in the side of Vargas's car as he prepares to take his wife to the Amer [...]	D
During the struggle between Quinlan and Grandi, Grandi reaches for a revolver under the bed. The gun [...]	D
Whenever the player piano is operating, the action of piano keys does not match the music that is he [...]	D
At the end of the opening tracking shot, the sky beginning to change to daylight, but the rest of th [...]	D
The car blown up in the opening scene has a completely different radiator grille and front bumper pr [...]	D
When Susan Vargas (Janet Leigh) enters her Mirador Motel room for the first time, the shadow of a bo [...]	D
When Vargas follows Menzies and Quinlan, he steps into water and his pants are visibly wet. Yet afte [...]	D
At about the 50-minute mark, Vargas tells Quinlan that he knows the shoebox did not contain dynamite [...]	D
Right before the end of the movie, Tanya refers to Pete as "the one who killed him (Hank)" however, [...]	D
Various scenes depict car tires squealing on dirt roads or parking lots.	D
At the beginning of the opening long shot, when the bomb is planted in the trunk of the car, the ref [...]	D
The degree of beard stubble on Quinlan's face changes from sequence to sequence within the same nigh [...]	D
As the couple is getting into the car at the beginning of the movie, there is exhaust coming from th [...]	D
The car that blows up four minutes into the film has the Texas plate AG 3724; 32 minutes into the fi [...]	D
When Menzies tells Vargas that his wife is charged with murder, Vargas says, "Murder?" His lips don' [...]	D
When Vargas (Charlton Heston) arrives late at night at the motel, he asks the night man (Dennis Weav [...]	D

Frase

Quinlan: Come on, read my future for me. Tanya: Y [...]	D
'Uncle' Joe Grandi: You got her undressed? Girl G [...]	D
Quinlan: You've been gettin' kinda chummy - you an [...]	D
Schwartz: I don't know what Quinlan thinks she's [...]	D
'Uncle' Joe Grandi: Oh, what a set up to work with [...]	D
Schwartz: Intuition? Ramon Miguel 'Mike' Vargas: [...]	D
Dist. Atty. Adair: An hour ago, Rudy Linnekar had [...]	D
Pete Menzies: This is a swell time to be getting f [...]	D
Quinlan: I don't speak Mexican. Let's keep it in E [...]	D
Quinlan: Where's your wife, Vargas?	D
Ramon Miguel 'Mike' Vargas: You are a policeman, a [...]	D
'Uncle' Joe Grandi: In this thing we're partners, [...]	D
Susan: Well, what have I got to lose? Don't answer [...]	D
Tanya: Now, what would Hank Quinlan be doing here? [...]	D
Blaine: Why aren't you back in Mexico City? Isn't [...]	D
Quinlan: Our friend Vargas has some very special i [...]	D
Pete Menzies: Convictions. Sure. How many did you [...]	D
Ramon Miguel 'Mike' Vargas: Who is the boss? The c [...]	D
Quinlan: Did I ever tell you the smart way to kill [...]	D
Ramon Miguel 'Mike' Vargas: [on the phone] Darling [...]	D
Sanchez: Where did you find this? Quinlan: Right [...]	D
Quinlan: Look out. Vargas will turn you into one o [...]	D
Ramon Miguel 'Mike' Vargas: I'm saying more than t [...]	D
'Uncle' Joe Grandi: We going to get him where it r [...]	D
Quinlan: What do you want? 'Uncle' Joe Grandi: No [...]	D
Mirador Motel night manager: It STINKS in here!	D
Ramon Miguel 'Mike' Vargas: It's a dirty job, enfo [...]	D
Quinlan: You don't leave fingerprints on a piece o [...]	D
Quinlan: Just because he speaks a little guilty, t [...]	D
Tanya: He was some kind of a man. What does it mat [...]	D
Pete Menzies: You're a killer. Hank Quinlan: Part [...]	D
Voice from Next Door: You know what the boys are t [...]	D
[Quinlan fires a pistol at Vargas, not hitting him [...]	D
Ramon Miguel 'Mike' Vargas: Can you tell me who's [...]	D
Pete Menzies: All these years you've been playing [...]	D
Susan: Why won't you help me make the bed?	D
Quinlan: An old lady on Main Street last night pic [...]	D
Susan: You know what's wrong with you, Mr Grandi? [...]	D
Pancho: Take it easy, Pretty Boy. What do you have [...]	D
Quinlan: What's my fortune? You've been reading th [...]	D
Vargas: This isn't the real Mexico. You know that. [...]	D
Quinlan: Narcotics. He's a drug addict! He's got t [...]	D
Quinlan: You say your wife was attacked. Ramon Mi [...]	D
Vargas: [to Quinlan] What make you so very sure it [...]	D
Quinlan: [leaving strip-club] We're wasting our ti [...]	D
Quinlan: It was one of the Grandi kids. Ramon Mig [...]	D
Sanchez: What are you trying to do? Quinlan: We'r [...]	D
Ramon Miguel 'Mike' Vargas: All I can say is if yo [...]	D
Zita: Hey, I've got this... Customs Officer: Are [...]	D
Sanchez: How do we begin? Do we play around first [...]	D
Pancho's Friend #1: Lady, he says you don't unders [...]	D
Quinlan: Casey, go in with Vargas, maybe he don't [...]	D
Schwartz: So it turns out Quinlan was right after [...]	D
Quinlan: Oh, there's my coffee. Didn't you bring a [...]	D
Dist. Atty. Adair: Well, here comes Hank at last. [...]	D
Quinlan: I'm no lawyer. I'm no lawyer. All's a law [...]	D
Ramon Miguel 'Mike' Vargas: What seems to be the t [...]	D
Quinlan: Vargas! Vargas, Vargas! All you want to t [...]	D
Ramon Miguel 'Mike' Vargas: Captain, have you anyt [...]	D
'Uncle' Joe Grandi: You just said it yourself. Som [...]	D
Quinlan: That was the last killer that ever got ou [...]	D
Strip-Club Owner: Zita? I didn't know her. She onl [...]	D
Vargas: How could you arrest me here? This is my c [...]	D
Ramon Miguel 'Mike' Vargas: A policeman's job is o [...]	D
Quinlan: Well, when this case is over, I'll come a [...]	D
Marcia Linnekar: I guess that's my father. Pete M [...]	D
Pete Menzies: Hank, I've been looking for you in e [...]	D
Quinlan: He wants to fight dirty. Okay. That's the [...]	D
Tanya: We're closed. Quinlan: You've been cookin' [...]	D
Ramon Miguel 'Mike' Vargas: Well, Captain, I'm afr [...]	D
[Last lines] Tanya: Isn't somebody gonna come and [...]	D
Pancho: Hold her legs!	D
Vargas: Captain, you won't have any trouble with m [...]	D
Detective Casey: I think I ran onto something here [...]	D
Quinlan: Who's the Jane? Dist. Atty. Adair: His w [...]	D
Pancho: Where would you like me to take you, doll?	D
Vargas: Listen, I'm no cop now. I'm a husband! Wha [...]	D
Ramon Miguel 'Mike' Vargas: You're an honest cop! [...]	D
Susan: You silly little pig. 'Uncle' Joe Grandi: [...]	D
[first lines] Customs Officer: Uh, you folks Amer [...]	D
Schwartz: You going to do it alone, huh. All you g [...]	D
Quinlan: That's the second bullet I stopped for yo [...]	D
Ramon Miguel 'Mike' Vargas: Susie, one of the long [...]	D
Quinlan: My game leg is startin' to talk to me.	D
Ramon Miguel 'Mike' Vargas: This could be very bad [...]	D

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L'infernale Quinlan

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